Sorry CitE, dmf, and whomever else may be reading. I didn’t mean to get so behind, but there it is. I’m still watching Treme, though I’ve not seen the latest, aired on May 20. I don’t have the time to go episode by episode these days, but here are some general thoughts so far:
Steady, folks: As much as I dug it, the first season seemed uneven. From episode to episode, you never knew if you were in for viewing gold or pyrite, and that seems to have carried over to the second season as well. The second episode felt particularly torpid, followed by a couple that, for me, were riveting and frightening, and even quite funny in places. But then we returned to torpor with “Slip Away,” which seems to have done just that. I realize art can be uneven, but the low and slow episodes this season have really sapped my enthusiasm for the whole. I don’t have time to waste.
Exile vs. Refugee: As an exile, I’ve been totally glued to the stories unfolding in NYC this season–even if the rarefied worlds of Dizzy’s and LeBernadin are beyond my natural orbit. That said, I wish the show might also look at New Orleans refugees, those flung to Atlanta, Dallas, and Kansas City, who did not choose to leave and “make it” in the big city. This group has found they cannot afford to come home, and have perhaps realized that because of work opportunities, solid public schools, or whatever, they might as well stay put.
LaDonna: I was totally annoyed that LaDonna occupied so little air time in the first two episodes this season. And then, wham, episode 3 hit. Suddenly there she was, and agonizingly so. I’m still unnerved by what happened and am not sure what to think beyond that.
The bludgeoning: Every episode there are at least a few bludgeonings to the viewer: “Don’t forget–THIS IS NEW ORLEANS, THIS IS NEW ORLEANS!” As much as I love the city and am sticking it out with the show, it is nevertheless annoying. Wouldn’t it be fine to let the city breathe in the background a bit? I can’t imagine people without a connection to the place or to the music or to David Simon would continue watching otherwise. I’m not sure I would. So I fear for it’s future, even while I’m not sure it deserves one.
A Last Note: Antoine Batiste and the Soul Apostles have been one of the more entertaining threads this season. It’s hard to escape a band practice scene without a few chuckles. And I do enjoy seeing so many characters struggling to create new music all at once now. I’ll keep watching, if only to see where their divergent musical adventures lead.


